wheels

... get yourself a set of wheels. South Seattle BNSF Car Shop. You can see the setting of the previous post Paint Job in the background, where if you look close you will note that I was shooting through a hole in the fence. Places constraints on angle and composition.

paint job

South Seattle, near the BNSF switching yards, there is some renovation going on.

woof ...

closing time (again)

I parked outside and walked into the park just before sundown so I could stay after closing. Got some shots of people waiting for the sun to go down.

shoes in hand

Update 05/29/09. I guess this might be considered a romantic theme. Something that is conspicuously absent from my previous work. Actually, I was just shooting anyone on the beach within reach of my lens, and this couple had been perched on a log with their backs to me until the got up to leave and I grabbed two quick shots as they approached. Any romance here is more or less accidental.

The Guardian - Fiserman's Wharf

Just moments before sundown on 03/29/09. One of the classier looking fishing vessels.

report to office

detail - Fisherman's Wharf

Another detail of a fishing boat at Fisherman's Wharf in Seattle. Not sure about the crop. I tried cutting off just below the horizontal bar to remove of some of that busy detail at the top but after looking at both versions, side by side, I kind of like that top part. Sort of spooky looking.

on the bench

to an unknown god

... as I passed along, and observed the objects of your worship, I found also an altar with this inscription, ‘To an unknown god.’ Acts 17:23

dog house

This dog was just curious at first but then he started barking and the owner came out to see what I was doing. I told him I liked the looks of his house. He laughed and took the dog inside, shooting session over, four exposures. Two keepers.

white wall & windows

Returning to a theme I developed at great length several years ago.

iPod Man

A frustrating day with the cameras. Went back to some old haunts out of desperation and expected to come back with nothing. After several hours working my way south I did some hill walking in the park to get over it. This shot was a marginal intrusion on this man's privacy, as private as you can be with several hundred people standing around. After cropping it several different shapes I decided to go with wide

suit & tie

If you want to attract attention at the Pike Place Market all you need to do is come wearing a suit and tie. That will make you stand out. No other sort of clothing, no matter how bizarre, will attract attention because weird is normal. But a suit and tie is certainly going to make people look at you.

Homage to Rauschenberg

I posted this first with a frame and then it occurred to me that Rauschenberg would not have used a frame and after some thought I decided he was right.

Jordan 23

This one asked to cropped square. Not a normal practice.

closing time

This image was less than an hour old when posted. It was taken a few moments before sundown as the park closer was chasing us out with his bullhorn, threatening to lock us in.

Blue on Blue

fresh paint

Russian Dance

texture of spring

le danse

Yesterday I took my old e500 and the 40-150mm Zukio with me to the beach and spent some time capturing various activities on a cool but pleasant Saturday afternoon. There was a group of Russians (from Moscow) having a family outing. I talked briefly with one young man who wanted to see my photos of this fellow preforming some traditional dance.

Swamp Scene

The last several images were taken in the same place where I first tested my e500 in April 2006. While this isn't really the same camera (there were two replacement e500 bodies under warranty) it is a return to the area where I first used a DSLR. Had some mishaps in this swamp, like the day I busted a pair of "can't bustem" Lee Dungaries by trying to leap over a wet place and going down on one knee into the muck fairly hard, kept the camera above my waist so there was no damage to the photo gear. The logs that look like you can walk on them are often in an advanced stage of decomposition and will not support your weight. The photo opportunities for nature freaks are there for the taking. I actually photographed a young man stalking through the brush with a DSLR and a long telephoto. I wasn't making much noise and I don't think he was aware of my presence.

Swamp Flower

This taken this afternoon down in the swamp just above where the stream flows into the fish basin in Seahurst Park.

spring

This was taken at Fort Lawton just north and above the parade ground near the chapel.

light on water - Fisherman's Wharf

Took advantage of the sun yesterday and spent the late afternoon shooting at fisherman's wharf.

Bob and Friends

I have now crossed paths with Bob (or Bill?) three times in the last year. I am posting three shots from last summer on the prom in Lincoln Park taken just before sunset.

ductwork

Amtrack Northbound - Ship Canal Bridge

To see the whole bridge see Ship Canal Bridge

in port in a storm

Fisherman's Wharf was just north of the big storm hovering over downtown Seattle, hail, sleet, snow and very dark with a wind blowing.

Railroad Bridge - Ship Canal

Spend several hours shooting around the locks on the Lake Washington Ship Canal yesterday. The weather down town was horrible, sleet, snow, rain and dark but out toward Ballard I found optimal cloud conditions for shooting landscapes. This is one of about 150 images I captured of this bridge. This style of landscape might appear a little over cooked for some of you minimalists. It is inspired by artists such as Albert Bierstadt.

Sunday Morning #3

Another Sunday Morning

Door Light

winch rope drum - Fisherman's Wharf

The Chair - Fisherman's Wharf

some more details - Fisherman's Wharf

fire station no. 6 - Fisherman's Wharf

More of the same.

four plus one - Fisherman's Wharf

Spent several more hours shooting at Fisherman's Wharf on 1/17/09. This is a shot across the deck of a large vessel. The pattern of the horizontals and verticals, with the tanks and rope as accents caught my attention.

Sharpening & Desaturation in LR2

Sharpening and Desaturation in Lightroom 2

In LR2 capture sharpening an image of winter trees with lots of fine branches illuminated by a late winter sun just before sunset, sharpening with Amount A75 Radius R1.0 Detail D50 and Masking M50, resulted in significant desaturation of the colors on the fine branches. The warm red-yellow late winter sun was scrubbed away an replaced with a bleach off white.

[BTW, the sharpening engine in LR2 isn't unique. I only tested this in LR2 but I would suspect that the other applications which use the same sharpening engine would produce similar results.]

After reading and rereading, S. Kelby and M. Evening on LR2 capture and output sharpening. I ran a series of tests on an image taken moments before sundown on a beach in southwest Seattle.

I started with no capture or output sharpening and exported to a 900pix quality 70 for screen jpg. I tried a quality setting of 100 and compared it to 70 and there was no visible difference in issue under consideration.

image #1 no capture or output sharpening

image #2 A75 R1.0 D50 M50 - output screen std

image #3 A75 R1.0 D50 M50 - output sharpening OFF

image #4 no capture sharpening - output screen std

image #5 A75 R 0.5 D50 M50 - output screen std

image #6 A75 R 0.5 D50 M50 - output sharpening OFF

I observed that comparing image #1 with image #2 there was a dramatic difference in saturation of the small branches. There wasn't much difference between image #2 with image #3, it was detectable but you had to look hard to see it. Image #4 wasn't much different than image #1. In other words, using ONLY output sharpening set to screen standard at 900pix there was only a very slight amount of bleaching in the color of the small branches. You really had to look for it.

It occurred to me that reducing the radius from 1.0 to 0.5 might improve the color. In fact, it did but only very slightly. It wasn't easy to see the improvement. Image #5 was nearly identical to image #2. Just to illustrate the problem I have posted image #1 followed by image #2. The other images must be viewed in LR or PS to really appreciate what is happening so I will not post them.

This problem cannot be corrected by simply increasing the saturation. The desaturation only affects small portions of the overall image. If globally increase the saturation the image will end up generally over saturated.

Another observation of the test results. Just working with this one image, hardly a valid sample. It didn't seem like the capture sharpening was very useful for an output size of 900pix.

[BTW, Editing in the develop module at less than 1:1 you don't see the sharpening anyway. Switching to the library module (E key) will display something close to what the final jpg will look like. Not identical but close enough.]

When you output sharpen for screen standard without any capture sharpening with a target size of 900pix the results look reasonably good on a large LCD (24inch iMac). This isn't intended to be a generally valid statement only an observation based on working with one or two images.

Roped Up

I developed the top image using a straight up approach and a harsh or radical approach. After looking at both of them I think the straight up approach is more appealing. I'm getting a little weary of looking at over cooked harsh images, the current thing among LR newbies.